Publications

MUSDEWAR-related

> ‘Punishment’, in The SAGE International Encyclopaedia of Music and Culture, ed. Janet Sturman (Sage, 2019), 1768–1770.

> Anna Papaeti, ‘The Dark Side of Music’ [‘Η σκοτεινή όψη της μουσικής’], EFSYN newspaper (Athens: 21 January 2018; weekend edition), http://www.efsyn.gr/arthro/i-skoteini-opsi-tis-moysikis

> Anna Papaeti, ‘The Undoing of Music’ (podcast; commission), Processes (Madrid: Radio del Museo Nacional Centro de Arte Reina Sofía, 2019), https://radio.museoreinasofia.es/en/undoing-music

Edited Volumes

> the world of music (new series): Music and Torture | Music and Punishment vol. 2 no. 1 (2013; special issue), guest editors M.J. Grant and Anna Papaeti.

> Torture: Journal on Rehabilitation of Torture Victims and Prevention of Torture: Special Thematic Issue ‘Music in Detention’ vol. 23 no.2 (2013), guest editors Anna Papaeti and M.J. Grant. https://irct.org/publications/torture-journal/117

Other

> ‘Popular Music, Terror and Manipulation under the Junta in Greece (1967–1974)’, in Made in Greece. Studies in Greek Popular Music, ed. Dafni Tragaki (Routledge, 2018).

> ‘Paraphrasing Wagner: Greek National Opera’s Twilight of Debts’, Chronos Magazine (January 2018), https://chronos.fairead.net/papaeti-twilight.

> ‘Music, Sound, and Sleep Deprivation’, in The Hypnos Project Issue, ed. Theophilos Tramboulis (Athens: Onassis Cultural Centre, 2016). 

> ‘Folk Music and the Cultural Politics of the Military Junta in Greece (1967–1974)’, Mousikos Logos 2 (2015), 50–62.
2.2 m-logos-i0002-a0022-papaeti_with corrections

> M.J. Grant, Stephanie Leder and Anna Papaeti, ‘Die zersungene Seele: Musik als Instrument der Folter’, in Musik und Medizin: Chancen für Therapie, Prävention und Bildung, eds. Gunter Kreuz and Günther Bernatzky (Berlin: Springer, 2015).

> ‘Humour and the Representation of Fascism in Schweyk im zweiten Weltkrieg: Adorno Contra Brecht and Hanns Eisler’, New Theatre Quarterly 30 (2014), 318–32.
NTQ120-02 (Papaeti)

> ‘Music and Re-Education in Greek Prison Camps: From Makronisos (1947–1953) to Giaros (1967–1968)’, Torture: Journal on Rehabilitation of Torture Victims and Prevention of Torture: ‘Music in Detention’ vol. 23 no.2 (2013), guest eds. Anna Papaeti and M.J. Grant, 34–43. 2_Torture_vol23_2+34-43

> ‘Music, Torture, Testimony: Reopening the Case of the Greek Military Junta (1967–74)’, the world of music (new series): Music and Torture | Music and Punishment vol. 2 no. 1(2013), guest eds. M. J. Grant and Anna Papaeti, 67–89. Papaeti_music torture Junta_p_067-089

> Anna Papaeti and Áine Sheil, ‘AiRossini: Opera as Critical Entertainment’, Chronos (August 2013), http://www.chronosmag.eu/index.php/a-papaeti-a-sheil-airossini-opera-as-critical-entertainment.html

> Anna Papaeti and M.J. Grant, ‘Introduction’, Torture. Journal on Rehabilitation of Torture Victims and Torture Prevention: Music in Detention, vol. 23 no.2 (2013), guest eds Anna Papaeti and M.J. Grant, 1–3.

> Morag Grant and Anna Papaeti, ‘Introduction’, the world of music (new series): Music and Torture | Music and Punishment vol. 2 no. 1 (2013), guest eds. MJ Grant and Anna Papaeti (June 2013), 5–7.

> ‘Bearing Witness in Manoli…!: Political Opera in Postwar Cyprus’, Music and Politics 6:1 (Winter 2012; Michigan University). https://quod.lib.umich.edu/m/mp/9460447.0006.103/–bearing-witness-in-manoli-a-political-opera-of-postwar?rgn=main;view=fulltext

> ‘Den Wiederstand komponieren: Bertolt Brechts und Hanns Eislers Schweyk im zweiten Weltkrieg’, in Musik-Konzepte Sonderband: Hanns Eisler, ed. Urlich Tadday (Munich: et+k, 2012).

> ‘The Stuttgart Ring on DVD’, Opera Quarterly vol. 26 no. 1 (2010), 152–166.

> ‘In Search of Smaragda’, The Masterbuilder Programme, Greek National Opera (Athens, 2008)

> ‘Family Troubles’, Der Ring des Nibelungen Programme, The Royal Opera, London (London, 2007; reprinted in 2012 by The Royal Opera, London)

> ‘Tosca’s Flight to Death’, Tosca Programme, Greek National Opera (Athens, 2007)          

> ‘Turandot and the Riddles of the Sphinx’, Turandot Programme, The Royal Opera, London (London, 2006; reprinted in 2008 and in 2007 by Greek National Opera)

> ‘Redemption Through Love: Brünnhilde’s Sacrifice’, Götterdämmerung Programme, The Royal Opera, London (London, 2006).